In this universally lauded and Emmy Award-winning polemic, Art critic Robert Hughes traces the way money has distorted the market for art, starting in 1962 when the Mona Lisa made its historic first and last appearance in America.
A powerful polemic by Robert HughesObserver
Refreshingly weighty documentaryDaily Mail
Provocative and lucidThe Times
A thoughtful critique of the impact of celebrity culture and commercialisation on contemporary artThe Times
